The Background:
Every bookplate has a story to tell; but not many of those stories will
recount the horrendous series of tragedies represented by the two examples
shown here. They were created as presents from my grandfather, Geheimrat
Dr. Henri Hinrichsen, to my grandmother, Martha Hinrichsen and to their
third son, my uncle, Hans-Joachim Hinrichsen. The huge cumulative sorrow,
which these bookplates carry, is a small part of the much greater tragedy,
which we all know of as the Holocaust.
Henri Hinrichsen (born in Hamburg in 1868) was the proprietor of the
famous music publishing company of C.F. Peters, Leipzig (founded in
December 1800). He had entered the company, which belonged to his uncle,
Dr. Max Abraham, in 1887 at the age of 19, becoming his uncle's partner
in 1894. On Dr. Abraham's death in 1900, my grandfather became sole
proprietor. The business thrived and prospered under his careful guidance.
With the profits, he became a most generous benefactor to many Leipzig
institutions, musicians and individuals. He was a respected member of
the town council and on the committees of several worthy institutions,
as well as supporting many other organizations. In 1911, he became the
founding benefactor of the first All Women's College in Germany - the
Henriette Goldschmidt Schule - which he continued to fund for over twenty
years. He carried all the financial costs of staffing and of new acquisitions
for the Peters Music Library, which Dr. Abraham had presented to Leipzig
in 1894. He himself donated the collection of 2,600 musical instruments,
which formed the Musical Instruments Museum, to Leipzig in 1926. For
all his generous benefactions in the cause of education and for the
promotion of German music, my grandfather was awarded an Honorary Doctorate
of Leipzig University in 1929
Meanwhile, in 1898 he had married Martha Bendix from Berlin. This
happy marriage produced seven children over the course of the next twenty
years - five sons and two daughters. In due course, the three eldest
sons: Max (who eventually became my father), Walter and the aforementioned
Hans-Joachim joined the business. Apart from being a music publisher,
Henri Hinrichsen was a great book-lover. He was one of the founding
members of the Leipzig Bibliophiles Association in 1904, a group of
99 gentlemen (no ladies admitted) who called themselves "the Ninetyniners".
They were all connected with the book and printing trades; amongst their
members were book publishers, music publishers, printers, book designers,
graphic artists, paper merchants, book dealers, writers, editors, etc.
Many of these were amongst my grandfather's closest friends. One of
these, the graphic artist Professor Hugo Steiner-Prag, was always a
welcome guest in my grandparents' home; it was he whom my grandfather
commissioned to design a bookplate for my grandmother's 50th birthday,
in 1929.
The Design of Martha Hinrichsen's bookplate
The bookplate is engraved and printed in redish-sepia colour on good
quality, heavy cream coloured paper. Size: 10cms x 14.5cms. Signed in
pencil by the artist. The design is very allegorical, but sadly there
is nobody alive to tell me exactly what it means. I think that the trees
bending towards each refer to the great love between my grandparents.
The seven intertwining branches of the trees probably signify that their
union produced seven children. The Janus-effect portraits do not depict
Martha and Henri Hinrichsen.
The Designer: Hugo Steiner-Prag
Hugo Steiner-Prag was a famous graphic artist, book illustrator and
stage designer during the first half of the 20th century. Born in Prague,
Czechoslovakia in 1880 as Hugo Steiner, he added the "Prag" to his name
later. From 1907 onwards he taught at the Academy for Graphic Arts and
Book Design in Leipzig, where he became Professor in 1910. He worked
for many publishers and was the Art Director of the Propyläen Publishing
Company and organizer of the IBA (International Book Artists) Exhibition
in 1927. He also organized the exhibition for the centenary of Goethe's
death: "Goethe in the Book Art of the World" in 1932. As a Jew, Hugo
Steiner-Prag was dismissed from his post when the Nazis came to power
in 1933. He returned home to Czechoslovakia, but when the Germans invaded
his country he fled to the USA. He never returned to Europe, dying in
New York in 1945.
The Design of Dr Hans-Joachim Hinrichsen's Bookplate
This was probably created in 1930, for Hans-Joachim's 21st birthday.
It is a reproduction of a photograph taken around 1915, printed in sepia
on cream coloured paper. Size: 10cms x 7cms. It shows the house: 10
Tal Strasse in Leipzig, which was the business premises of the Music
Publishing Company - Musikverlag C.F. Peters, and also the home of the
Hinrichsen family. Otto Brückewald, the architect who also designed
Wagner's Festspielhaus in Bayreuth, designed the house. Commissioned
by Dr. Max Abraham in 1873 the company moved in, in August 1874. In
1905 Henri Hinrichsen added an elegant looking new warehouse (the two-story
building on the left), designed by another fine architect, Clemens Thieme.
The flat roof became a beautiful roof garden. At that time the house
was also modernized and refurbished, when central heating was installed
(electric light having been in place since 1896).
The Tragedy
When the Nazis came to power in 1933, Hugo Steiner-Prag was not the
only one to be affected. The Hinrichsen family was also Jewish. Descended
from Sephardic Jews, my grandfather had always been proud of his family
having been German citizens for almost 300 years. As an important citizen
of Leipzig he did not think that the horrors perpetrated by his fatherland
would be directed against himself and his family. In 1938 the music
publishing business was confiscated and "aryanized" - sold to a suitably
qualified non-Jew; grandfather never received a penny. The house was
also confiscated from him and he had to give up his keys. His entire
family was persecuted; fourteen close members were transported and died
in various concentration camps. My grandparents managed to escape to
Brussels in 1940, where Hans-Joachim joined them some six weeks later.
When the Germans invaded Belgium my elderly grandparents had nowhere
else to go and were awaiting a visa to immigrate to the USA. Hans-Joachim
escaped to France, where the Gestapo caught him and imprisoned him in
Perpignan; he died there a few weeks later, aged 31. My grandmother,
who suffered from Diabetes, was dependent upon insulin; as a Jew, she
was not permitted to have any. She died in Brussels in 1941. It was
probably a blessing, because in 1942 my 74 year-old grandfather, Dr.
Henri Hinrichsen, was transported to Auschwitz where, on arrival, he
was taken on a lorry with all others over 50, to be gassed in Birkenau.
In 1943 my grandparents' younger son, my uncle Paul, was also gassed
in Auschwitz. Like Hans-Joachim, he was 31. The same fate awaited their
daughter, my aunt Ilse's family - her husband, Dr. Ludwig Frankenthal
along with their two little sons were gassed, whilst Ilse, incredibly
survived the horrors of five concentration camps.
The Aftermath
The house and business were restored to the Hinrichsen family in 1945,
only to be confiscated once again, by the Russians, a few weeks later.
They went into State Ownership (VEB) by the new German Democratic Republic.
Finally restored again to the family in 1992, the house, which had not
been repaired or refurbished for over 70 years, was in a terrible condition.
I saw it for the first time in 1991, when parts of it were still habitable
and in use by the company of C.F. Peters. It was sold to an investor
- an Egyptian plastic surgeon living in Munich, who then neglected it
for a further 10 years, during which time it was also vandalized. It
is (in 2002) empty, boarded up and almost totally dilapidated. It will
hopefully be restored soon.
Discovering the Bookplates
I first became aware of the existence of the bookplates in 1993, following
a communication from the State and University Library of Bremen. The
Librarian had become aware of the fact that there were many stolen books
in their library. These had come into their possession in 1941. My grandparents
had been permitted - on payment of huge taxes - to pack their non-valuable
possessions for dispatch overseas - all valuables had been confiscated.
The ten large packing cases, containing all that they had left in the
world, were in the dockyards in Bremen. In 1941 the Gestapo confiscated
them and put all the contents up for sale in a "Juden Auktion" - "Jews
Auction" for the benefit of the State coffers; amongst the contents
were about 200 books. The Bremen Library acquired some of these. After
50 years 30 books could be positively identified as having belonged
to Martha and Henri Hinrichsen and their son Hans-Joachim; a few of
these contained the bookplates described above. The books are now in
my possession. (If anybody ever acquires any book embellished with either
of these bookplates, the books are stolen property and rightfully belong
to my family.)
The History
For those interested, I would recommend my book, which has had excellent
reviews:
MUSIC PUBLISHING AND PATRONAGE - C.F. Peters: 1800 to the Holocaust.
Written by Irene Lawford-Hinrichsen, the Foreword is by Yehudi Menuhin.
This is not a dry company history, but a wealth of real life, never
before published, stories of musicians, music publishing, musical taste
and the social and political scene. Please see my web site for full
details: www.btinternet.com/~irene.lawford
Published by Edition Press in 2000. ISBN 0-9536112-0-5. Price £25.00
(€43.00) (US $50.00) it is available post-free for £ sterling or Euro
cheques in favour of I. Lawford, or US $ bills (not checks). From: I.
Lawford, 22, Bouverie Gardens, Kenton, Middx. HA3 ORQ, England.
Copyright Irene Lawford-Hinrichsen 2002.
Ex Libris Chronicle
Director: James P. Keenan
Art Director: Concepcion Elvira Provenzal
Copyright © 2003 by Cambridge Bookplate. All rights
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